I first became
fascinated by Deadwood when I watched David Milch's terrific
HBO series of the same
name. With its blend of superb acting, gorgeous photography, and truly
extraordinary writing, it was one of the few perfect shows that I’d ever seen.
Every episode would take my breath away.
I get down
Deadwood every couple of years or so, usually when the South Dakota Festival of Books is in
town. This year’s festival was this past weekend, so that’s when I was able to
visit. Luckily (and it's important to have good luck in Deadwood—just ask Wild Bill Hickok), the weather
was gorgeous, with highs around 70 and not a cloud in the sky.
In between
strolls around the gulch, I took in many events over the two days. On Friday, I
caught a joint appearance by Poet Laureate Ted
Kooser and book critic Michael Dirda at
the public library. This event was really more an informal “meet & greet”
than anything else, but the library provided a tasty lunch of spicy shrimp
(“free gratis,” as Al
Swearengen would say).
Ted Kooser & Michael Dirda
Later in the day, at the new Deadwood Mountain Grand, the
main location for the festival, I heard Brian
Fagan deliver a bleak assessment about the future of the planet (global
warming is going to swamp us with an unstoppable rise in the oceans) and Bill Heavey give a hilarious reading about
catching frogs by hand at night in Louisiana. One of the keys, Heavey
explained, was remembering not to grab for any red eyes reflected in the
headlamp, for those eyes would belong to a ‘gator. I also sauntered through the
book displays, but I successfully resisted the impulse to add to my already
sagging shelves back home.
On Saturday,
with my friend and colleague Deb
Dragseth, I attended a presentation by Peter Heller, who read some excerpts from
his novel Dog Stars and then talked
about his experiences as a journalist on whitewater rafting trips and as a
bush-pilot trainee. He was a dynamic, entertaining storyteller, so I know I'll
be reading him in the future. Deb and I then took in a panel about the future
of newspapers in America, but the panelists' forecast was so bleak that this ex-journalist
would prefer to forget about it. As one panelist, NPR's Bob Garfield, said,
not jokingly, journalism students today are like lab rats: They are raised only
so they can be sacrificed.
Finally, that
evening I was a patron at the Poetry Cafe, with Kooser, Naomi Shihab Nye,
Christine Stewart-Nunez,
and Heid Erdrich. The four read from their
works and also talked about their careers and influences. The mood was light,
helped (perhaps) by the beer available at the bar.
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